The villain also has spring 2

Chapter 1401 11400 A temporary pass to escape reality

Someone may ask, it’s like the allusion of the farmer and the snake. If the righteous He Fengshan knew that among the Jews who had escaped the arrest of the Gestapo and arrived in Shanghai safely with the "life visa", some would collude with the Japanese who invaded my country, trying to seize the northeastern part of our country and become the Israel of Asia, that is, The famous pufferfish project.

So, will Ho Fengshan still issue "life visas" to ungrateful Jews?

The answer is obvious, yes.

Because he must also abide by the heroic way of "discussing the matter according to the facts and upholding justice; making no assumptions or presuppositions".

The so-called Blowfish Plan was a policy proposed by Japan during World War II, aiming to attract Jewish capitalists to settle in Northeast China, especially the puppet Manchukuo, and establish a Jewish state. The plan was approved by the Japanese government on December 1938, 12. Its main content was to promote Jewish settlements in Harbin and other places, and even establish a Jewish state in Northeast China. This policy was proposed by the Japanese government in order to use the wealth and influence of the Jews and please the United States, especially the American Jewish consortium, to promote their investment in Japan.

The pufferfish project was specifically named "Pufferfish" because pufferfish can poison people to death if not cooked correctly and carefully, and this plan would be very beneficial to Japan for the Jews, but it was also very dangerous. Planners eventually came up with detailed plans for how to organize a settlement and how to secure Jewish support—both in the form of investment and actual settlement. However, this plan did not materialize in the end, because as the Second World War progressed, Japan's aggressive actions triggered widespread opposition from the international community, especially strong protests from the Jews, making it impossible for Japan to continue to implement this plan.

As we know before, in early 1942, with the large-scale popularization of condoms, German brothels began to recruit female workers in the occupied areas of Eastern Europe. In particular, Jews, Gypsies, Latvians, Lithuanians, Ukrainians, Belarussians and Russian women have organized "Joy-Camp" for prostitution, while there is also a kind of concentration camp where prisoners are held captive. , "Love-Camp" formed by prisoners.

The specific difference between the two is that the former is a form of prostitution that requires payment, while the latter is a completely free form of exploitation.

In the fragmented time and space of the plot of "Operation Anthropoid", members of the Czechoslovak resistance organization Leka Favkova and Marie Kovalnikova, who were transported to the Mauthausen-Gusen concentration camp, survived because of the derivation of the fusion plot. Before being sent to the Sicilian studio to shoot special scenes, their destination was "Love Camp 7".

It's obvious that this is also a Nazi exploitation film. The plot is not complicated either: in 1939, at the beginning of World War II, Nazi Germany was on the rise. In addition to the brutal Auschwitz concentration camp, the Nazi group also established a special love camp to detain women and force them into prostitution to serve Nazi officers. Among them, a girl named Martha was imprisoned in Camp Love, but Martha had a special identity, that is, she had participated in the research project of important weapons of the German army, so she was targeted by the Allies in an attempt to obtain weapons information from her. . To this end, the Allies searched in many ways and finally selected two women's Army Corps (Women's Army Corps, abbreviated "WAC") Linda Harman (Lt. Linda Harman) and Lt. Grace Freeman (Lt. Grace Freeman). ) Lieutenant, sent them to sneak into Camp Love as undercover agents. The respected female officers in the past now have to put on sexy lingerie and nylon garters, humiliate and humiliate themselves, and are willing to be the playthings of Nazi officers. Can they successfully complete their mission?

With the development of the fusion plot, at the strong request of director Giovanni, who is good at both art and women, the female prisoners from "The Seventh Love Camp" were also transferred to the Sicilian studio by special train. From "The Devil Wears Prada", Ilsa, the warden of Concentration Camp No. 9 who escorted the tragic heroines on the death train to Sicily and Berlin, also became the "on-set auxiliary training class" deputy director.

As the heroine of the "Isa Trilogy" of the masterpiece "The Devil Wears Prada" series of exploitation films, Ilsa, the warden of Concentration Camp No. 9, is also one of the alternatives for "the only ecology of its kind". In fact, because she is in the B-level So famous in exploitation films, Ilsa has almost become an important "popular symbol" in the 70s. Recently, there is even a Nazi exploitation series "The Devil Wears Prada" Isa tetralogy, which will be released in 4K ultra-high definition in Cult theaters (UHD) entity’s official announcement. This shows its long-term influence.

Under the "Cross-plot fusion of time and space where World War II-like plot fragments are similar and compatible" in "The Great Battle", with the strong intervention of the "SA0326 Sisterhood" carrying the exclusive branch line of 3, the plot of broken time and space is continuously promoted, and the interrupted The main plot was derived from this, and the plots of the heroines with "protagonist halo" were also rewritten along with the continuously derived personal exclusive branch plot lines. They successfully resisted the "plot killing" presented and launched in the form of plot conflicts, and survived until the end of the war. On this day, the "SA3 Sisters" gathered together on the set of "National Glory: The Great Battle" at the broad-gauge proving ground of the GGL Greater Deutsche Locomotive Manufacturers Association. From the high-dimensional nature of the shelter, the "plot line" is not the same as the "fate line". The fate line is simply the character's "fate and luck". Often covers the character's life from birth to death. However, the "plot line" is also interrupted by the death of a character. However, with the player's intervention, such as "resurrecting the dead" or "changing life forms", you can still re-derive your own exclusive plot. So to simply understand, the plot line of a character that is not intervened by the outside world (players) can be partially equivalent to the fate line. However, once a player intervenes and a special plot event such as "cross-plot fusion" occurs, the high-dimensional attributes of the character's plot line will be more exposed.

In other words, on the set of "National Glory: The Great Battle", there is also a special prison carriage station. In the "prison carriage" converted from an eight-axle double-decker carriage with a length of 42 meters, a width of 6 meters and a height of 7 meters, prisoners transferred from concentration camps such as "Happy Camp" and "Love Camp" from various places were transferred. Special shot of female prisoners.

In fact, in addition to filming interrogation scenes such as torture and whipping, they also served as "nude substitutes" on later film sets. Although both the former director Giovanni and the current director Leni have extremely high artistic pursuits for live shooting, all necessary sex scenes are absolutely not allowed to be shot live. In other words, the so-called "fighting against the real army" is absolutely not allowed to happen.

The term "fighting the real army" originally originated from the Cantonese opera stage, which means that the martial arts actors do not use a double during the performance, but use real kung fu to fight in person. This concept was later extended to the field of movies, especially when shooting sex scenes. If the actors have direct relations without the use of stand-ins or prosthetic positions, it is also called "the real army." In fact, there are many censored pornographic movies, but later it was discovered after the master tapes leaked or were decoded using technical means that they were not "fighting the real army".

So in a sense, erotica is also a performing art.

There are two professional cinemas dedicated to pornographic films such as Nazi exploitation.

The Grindhouse is an American theater that specializes in showing exploitation films. It was named after the decline of the Burlesque Theater on 42nd Street in New York. It used to perform sexy and sultry Bump N' Grind Dancing. and stripteases, and in the 1960s these theaters were repurposed as venues for showing exploitation films.

Open-air drive-in theaters, also called "drive-in" theaters. It is an open-air theater where customers park and watch from their cars. This projection method was invented by Richard M. of the United States in 1932 using an abandoned chemical factory. In the early days, large speakers were used to play the sound part in the parking lot. Later, regional broadcasting was used to cover the stage. Guests could listen to the movie sound on the car radio. When theater operators faced a recession in the 1960s and 1970s, they began to think of ways to bring back regular patrons. The solution was to book exploitation films. In fact, some producers in the 1970s made films directly for the drive-in market, most of which were violent action films. Some also classified them as drive-in films.

"Just like the video halls that were popular in mainland China in the 80s, grindhouse theaters and open-air drive-in theaters have become a '(spiritual) utopia' in the hearts of ordinary people. When the cruelty of life cannot be avoided, fast-selling entertainment has become A good medicine to relieve pain. The low-cost 'single tickets', 'double tickets (two consecutive viewings)' or 'accommodation tickets' at the Moulin Cinema and the open-air drive-in theaters that charge per car instead of per person and are lower than the parking fee The fare has become a temporary pass to escape from reality. The lonely soul who is homeless or has a home and is unwilling to return is like grabbing a life-saving straw, and docilely lives in the light of blood and shadow on the screen or the sea of ​​breasts and buttocks. Have a good night. And the grindhouse theater and the drive-in theater also warmly welcome them. The two are interdependent and trust each other." - Excerpted from "B Movies | A Brief History of the Grindhouse Cinema".

"Ilsa", the warden of the "Nazi Witch".

Happy Lantern Festival!